Showing posts with label voice. Show all posts
Showing posts with label voice. Show all posts

Monday, April 1, 2019

Jane Godman & Finding The Voice Inside

Please welcome Jane Godman to the blog today!
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“When you find your authentic voice, it’s like stepping into a comfortable pair of shoes. The rhythm and pacing of your words feel right, as if they’re meant just for you.”
Shirley Kawa-Jump

We hear a lot in writing about the author’s “voice” and how important it is to ensure that it’s unique and engaging. I’ll admit it’s a concept with which I struggled in the early days of my career.

Wasn’t writing an interesting story enough? What was it that made my voice different from anyone else’s? Gradually, I came to recognize the way I brought my own personality to the page when I wrote. In the same way that I can identify the voice of my favorite authors, I can now see what makes my own writing stand out.

Author Voice
So what is voice? It’s the author's style, a distinctive quality that makes his or her writing unique, and which conveys the author's attitude, personality, and character to the reader.
Tone, choice of words, content, and even punctuation make up the authorial voice. It is usually fairly consistent. With some very famous authors it is even possible to identify the author by reading an excerpt of his or her work.

The following is from Charles Dickens’ famous story, A Christmas Carol. 
… Scrooge had as little of what is called fancy about him as any man in the city of London, even including—which is a bold word—the corporation, aldermen, and livery. Let it also be borne in mind that Scrooge had not bestowed one thought on Marley, since his last mention of his seven-years' dead partner that afternoon. And then let any man explain to me, if he can, how it happened that Scrooge, having his key in the lock of the door, saw in the knocker, without its undergoing any intermediate process of change—not a knocker, but Marley's face.

Some of the features that immediately identify this as a piece of Dickens’ writing are: the humorous description, the “wordiness”, and the way he talks directly to the reader (as if the reader could respond). 

Character Voice
The writer’s main voice is the one that tells the story, but there are other voices that take a turn under the spotlight. They are, of course, the characters the author has created. 

Every person has their own way of putting together words, phrases, and ideas. These elements make up that person’s voice. Some people are witty or chatty, others are stilted or curt. For each of their characters, the author must find a believable voice.

As well as being a master of the narrative voice, Dickens created memorable character voices, one of the most compelling of which was Uriah Heep from David Copperfield. 
"'When I was quite a young boy,' said Uriah, 'I got to know what umbleness did, and I took to it. I ate umble pie with an appetite. I stopped at the umble point of my learning, and says I, "Hard hard!" 

Heep is a nasty character who calls himself “’umble” (humble), but we get a sense from the way he talks that he is anything but.

How do you develop your writer voice?

“The best way to develop your writer’s voice is to read a lot. And write a lot. There’s really no other way to do it.”
Stephen King

When you’re reading, notice the writer’s voice. These writers have very distinctive, strong voices: Penelope Trunk, Erika Napoletano, Johnny B. Truant, Chuck Wendig, Chris Guillebeau

When it comes to writing, don’t be afraid to let go and experiment. What have you got to lose? Happy writing!

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JANE GODMAN is a 2019 Romantic Novelists’ Award winner and 2018 Daphne du Maurier Award finalist. She writes thrillers for Harlequin Romantic Suspense/Mills and Boon Heroes and paranormal romance for Harlequin Nocturne/Mills and Boon Supernatural and St. Martin’s Press Romance. She also self publishes her historical and gothic stories.
Jane was born in Scotland and has lived in Germany, Wales, Malta, South Africa, and England. She still gets the urge to travel, although these days she tends to head for a Spanish beach, or a European city that is steeped in history. 
When she isn’t reading or writing romance, Jane enjoys cooking, spending time with her family, and enjoying the antics of her dogs, Gravy and Vera.  

 Connect with Jane Godman on the web:

Website         Facebook          Twitter         Goodreads


Colton’s Secret Bodyguard (The Coltons of Roaring Spring)

His mission: keep her safe, no matter what…
A Coltons of Roaring Springs thriller
Just as Bree Colton is about to take the local art world by storm, someone is determined to sabotage her success…unless Rylan Bennet can keep her safe. Bree doesn’t want anyone to protect her—not even gorgeous Rylan, whose secrets threaten them both. But can the former soldier win the battle for Bree’s heart and the war against a sinister foe?

Buy on:


Amazon UK              Amazon Aust

Harlequin                 B&N 


Kobo        Book Depository        iBooks

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Thanks so much Jane! I really enjoyed Colton's Secret Bodyguard - great characters and a plot that kept me turning pages far into the night!! If my readers enjoy romance, suspense, and great characters, this is a fabulous read!

How about you? Have you developed your author's voice? Who are some of your favourite authors who have distinctive voices? I'm currently rereading the Lord Of The Rings trilogy and am loving Tolkein's voice all over again!

Monday, April 14, 2014

All the Voices

I'm over at From the Write Angle today talking about infusing your query with your Voice. Hope you'll pop on over and check it out!

Voice is hard to describe yet it's very obvious when it's there ... and when it's not.

I like reading a wide variety of different Voices. I definitely enjoy some Voices I could never emulate or create. I remember reading Erma Bombeck's hilarious accounts of her real life when I was in elementary school. Love her stuff but it's not a style/voice I could ever write.

I like the flowing fantasy style of Tolkien, the literary loveliness of LMM Montgomery, the darkness of so many dystopian writers.

But would my Voice be able to pull off any of these? Nope.

Not yet.

Maybe some day.

What about you? Do you enjoy reading Voices that are very different from your own?

Monday, November 21, 2011

Voice Choice

Do we have a choice with our voice? Not the one we speak with, but the one we write with. Are our voices an integral part of us - like our vocal voice?

My main characters vary depending on my story and the age level I'm aiming at. A 10 year girl testing out a new planet for the first time has a very different voice from a 30 year old man working on a cattle ranch. If not, I'm doing something wrong! :)

But my voice stays kind of the same throughout. I use the same mix of long and short sentences. I adore sentence fragments and they show up everywhere. I have a lot of short paragraphs - often one liners - no matter what genre I'm writing. None of my paragraphs go on for very long.

My sense of humour stays the same and probably shows up in the same way. I'm not a huge fan of reading or writing description, so that's going to be consistent as well.

There are changes with each story of course, because the main characters have a lot to say in the story, but I think my voice remains more or less the same.

And I'm okay with that. Will I ever get to this point?

Probably not, but I'd like to!

What about you, does your voice change with your stories, or does it remain the same no matter what you're writing?

Sunday, December 27, 2009

Voice - Long or Short?

As I've been rereading my Steampunk from NaNo, I find myself thinking a lot about voice. Not my characters' voices, but mine.

I believe one of the ways voice is showcased is in length - length of sentences, phrases, paragraphs and chapters.

My sentences vary in length, but I do use a lot of short, tight sentences, and more than my share of sentence fragments. I like the effect. I know some people believe fragments should never be used. It's one of those grey areas. I think I know the rules well enough to break them for effect & emphasis. Will readers agree? Don't know yet. :)

My paragraphs tend to be short as well. Obviously they vary in length as needed, but I do include a lot of one or two sentence paragraphs.

This tendency of mine extends to chapters as well. Again, there is a fair amount of variety, but I have more short chapters than long.

I believe this is part of my voice as an author. When I look at some of my favourite reads, I find I enjoy variety. Some of my faves lean towards long sentences, paragraphs and chapters, while others run towards short with more fragments. As I read widely, I'm not terribly surprised at the variety of styles I've found!

When you look at your writing, do you find you have a preference for long or short? Do you think this affects your voice?

Monday, December 14, 2009

What a Voice!

I've got Jennifer Hudson's Christmas special on as I'm writing this. What a Voice!! She truly sings like an angel.

Of course, I giggled when I thought "What a Voice!". As writers, we worry about a slightly different kind of voice.

Voice is a difficult thing to teach. It's easier to find examples and read them aloud, then contrast different styles. The kids in my class tend to pick up the different kinds of voice rather quickly when I read short snippets of a variety of texts.

They all have their preferences. Most kids this year prefer short, snappy sentences with sly humour mixed in. However, lyrical sentences can grab them as well. When we studied opening lines last year, the class favourite was from Ray Bradbury's Farenheit 451.

"It was a pleasure to burn. It was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history."

They loved the contrast of the sentence lengths, the imagery. They all decided these short lines spoke to them. They loved the voice, and referred back to the image several times over the year.

A strong voice can be compelling. It's something we all strive for.

Whose voice do you most admire? Do you find it difficult to identify your own voice?

On a side note, thanks to Elizabeth Spann Craig at Mystery Writing is Murder for the Blogging Writer Award. Check out the award she designed herself on the sidebar! Thanks as well to Kristi Faith over at RAW (Random Acts of Writing) for awarding me the One Lovely Blog Award, also on the sidebar. These are fantastic writer friends. If you haven't checked out their sites, do yourself a favour & pop on over!